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Art --- gilding [technique] --- gold [metal]
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Art --- History --- painting techniques --- Mayerne, de, Théodore --- Painting --- Painting, Flemish --- Technique
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Painting --- History --- painting [image-making] --- perspective [technique] --- space [composition concept] --- interior views --- Renaissance --- anno 1500-1599
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David Hockney rewrites the history of art, revealing the extraordinary ways in which the Old Masters used optical devices to produce their work.
History --- optics --- Painting --- camera lucidas --- optical instruments --- perspective [technique] --- camera obscuras --- painting techniques --- space [composition concept] --- art criticism --- camera obscura --- kunstbeschouwing --- schilderkunst --- projectie --- painting [image-making] --- Hockney, David --- Schilderkunst --- schilderen [kunst] --- kunstkritiek --- Drawing --- Optics and art --- Camera lucida --- Camera obscura --- CDL --- 75.02 --- Image transmission --- Art and optics --- Art --- Technique&delete& --- Equipment and supplies --- Drawings --- Sketching --- Graphic arts --- Illustration of books --- Manual training --- Oil painting --- Painting, Primitive --- Paintings --- Technique
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Cet ouvrage aborde la couleur sous tous ses aspects : philosophique, technique, historique. Il propose une analyse des phénomènes et des pratiques depuis les premiers développements aux dernières modélisations mathématiques
535.6 --- 535.6 Colours and their properties. Colour theory --- Colours and their properties. Colour theory --- Grimm, Christiane --- Technique de représentation --- Goethe, Johann Wolfgang Von --- Propriété optique --- Couleur --- Couleurs --- Histoire --- Lumière --- Peinture --- Perception --- Philosophie --- Physiologie --- Physique --- Technique --- Chimie --- Colour --- Optical properties --- Light --- Chemical industry --- History --- Nervous system --- Aesthetic value --- Color --- AA / International- internationaal --- 338.754.0 --- Chemische bedrijven (algemeen). --- Chemische bedrijven (algemeen) --- Dyes --- Aesthetics of art --- color [perceived attribute] --- color [pigment] --- Couleurs, theorie
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underdrawings --- Painting --- Conservation. Restoration --- technical art history --- conferences --- Museology --- Belgique --- België --- Colloques --- Colloquia --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Painting, Renaissance --- Underdrawing --- Infrared technology --- Peinture de la Renaissance --- Dessin sous-jacent --- Rayonnement infra-rouge --- Expertising --- Congresses --- Conservation and restoration --- Congresses. --- Expertise --- Congrès --- Conservation et restauration --- Technologie --- wetenschappelijk onderzoek --- schilderijen --- conservatie --- Veken, Joseph van der --- Benson, Ambrosius --- Bouts, Albrecht --- Orley, Bernard van --- Brueghel, Pieter (de Jonge) --- Berruguete, Pedro --- Lopez, Gregorio --- Brugge --- Histoire de l'art --- Peintres --- Restauration, histoire --- Technologie, histoire --- Academic collection --- Conferences - Meetings --- Congrès --- Paintings, Renaissance --- Renaissance painting --- Drawing --- Technique --- van Orley, Bernard --- Brueghel, Pieter II --- Painting, Renaissance - Netherlands - Expertising - Congresses. --- Painting, Renaissance - Belgium - Expertising - Congresses. --- Underdrawing - Congresses. --- Infrared technology - Congresses. --- Flandre (Comté) --- Radiographie --- Attribution --- wetenschappelijk onderzoek. --- schilderijen. --- conservatie. --- Veken, Joseph van der. --- Benson, Ambrosius. --- Bouts, Albrecht. --- van Orley, Bernard. --- Brueghel, Pieter II. --- Berruguete, Pedro. --- Lopez, Gregorio. --- Bouts, Albert
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